Round Robin & Jam Etiquette
What is "Round Robin"? We go one direction around the circle. Each person takes a turn choosing what tune(s) they'd like to play during their turn (no stress--you can pass). This keeps from having only a few people always picking the tunes to play, and allows for varying tempos, etc. It may take a half-hour to 2 1/2 hours to get around the circle once, depending on how many musicians are there that night and how many tunes or sets are chosen by each. We ask that you respect the next person's turn, and be ready to play, rather than "noodling" on your instrument between tune selections. (It makes it hard to hear the next title.) Tune Titles -- If you know it, please announce the title of your choice to the group (rather than just jumping into it) -- and give a few moments so others can get ready to play. Music readers and beginners greatly appreciate getting a moment to set up before the music starts. How many times through a tune? At least three, but 4-5 times is ok, too. Especially if there are only a few musicians that night. The fewer musicians at the session, the more times you'll get to choose tunes. But when there are 15 or more musicians, we suggest three times through, to give everyone a chance to select music. Tempo: You choose for your turn (slow, moderate, fast). The group will follow your lead. **If you ask someone to start the tune for you, be aware that their "slow" may be your "fast" -- so give them a sample of the tempo they'll set (tap your foot, etc). Please do not ask us to speed the tune (or give directions), in the middle of the tune without warning us ahead of time. It's very hard to change tempo in a large group when we have no clue that's coming. And many musicians cannot hear "directions" when playing, due to sound levels. If you wish to change tempo, mid-stream (as a stylistic thing), let us know before you start. You can ask to have a tune started slower for the first two times through, then at a faster tempo the next two times through -- but someone must set the new tempo at the change. All in all, it's easier not to do tempo changes, mid-stream with a large group. --- Why is everything "too fast" or "too slow"? Each week is different, depending on who comes. We try to accommodate all levels and abilities -- but -- the tempo of the whole night depends on who comes and what their skill-level is. Be prepared to sit in for a mix of tempos. Don't give up, if it's beyond you. Even just hearing the music, helps you learn. If more moderate/beginner players come, then the tempo is going to be lower for most of the night, with the faster tunes added here and there. If several more-experienced players show up, then the tempo is going to be more moderate to fast, with some slower tunes tossed in. Be patient if you feel it's too slow or too fast. This is a gathering of musicians having fun, not a teaching jam; nor is it specifically a "slow jam" or "fast Jam." There will be other tunes that may be different speeds, and when it's your turn, you can choose a fast or slow tempo for your tune, as you wish. Playing Style/Tunes: We are a mix of "ear and paper" -- self-taught fiddlers and classically trained violinists -- from beginners, to those who perform or play out in bands. For the most part, it comes together. We play mostly contra dance music -- Celtic, French-Canadian, and early Old-time American reels, jigs and marches, as well as international waltzes. Occasionally, a bluegrass, country, blues or folk tune/song slips into the mix from someone new sitting in. We're willing to listen to your tune if we don't know it. We'll try to join in backing a song if we can. New Tunes vs. Old Favorites: We've been at this for about 12 years, with a lot of the same tunes each night, but we're always looking to learn something new! Sharing and learning new tunes is an age-old tradition. It's what keeps Traditional Music alive. Occasionally you'll hear a groan when a title is announced. It's been played to death, so to speak, or some tunes can be very intricate and/or tricky to play, and there may be not enough people who know it to make it work. Sometimes a tune dies as we struggle to make it work. We laugh it off, select another and keep going. If you pick something we don't know, we'll give a listen as you play. Tune Books? Bring 'em.: Violinists and guitar/mando players often use books or chord sheets. Bring your stand and your music bag, if you want. For a good collection of common tunes we play (see our tune list elsewhere), you might try purchasing the following books: The Portland Collection (Books I & II -- Susan Songer)The Waltz Book I, II, III (Bill Matthiesen) New England Fiddlers Repertoire (Fiddlecase Books) The Fiddler's Fakebook (David Brody/Oak Publications) Books should be able to be ordered through local book stores (Fiddlers Fakebook is available off the shelf in most larger book stores). You can also pick up some tunes books from Old Songs, Inc. (Andy's Front Hall has "retired.") Rules of the Jam: |